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Sunday, April 28, 2013

War Horse


Making of War Horse.



War Horse puppetry rehearsals.

Gabriele Meldaikyte, Artist

Flick

Pinch

Tap

Scroll

Swipe



"You probably don’t pay much attention to the gestures you make on your touchscreen handset. The constant swiping through articles or news feeds, pinching to zoom closer, flicking through virtual pages in iBooks, and all the other hand movements we do on a daily basis to interact with our phones.
Royal College of Art student Gabriele Meldaikyte has taken a bit more notice of them than most and transformed these simple, yet integral, movements into a series of sculptures in Multi-Touch Gestures. Meldaikyte notes that there are five actions which makeup the way we engage with our phones using our fingers. These are flick, pinch, tap, swipe, and scroll, what she calls “‘signatures’ of the Apple iPhone” (and, presumably, Android phones and other touchscreen devices).
But these interactions will inevitable change, just like the way most of us don’t type onto a tactile keyboard anymore on our cell phones. User interaction is a constantly evolving and changing field, adapting to user demands as well as technological advances.
Meldaikyte says her sculptures are an act of preservation, capturing these interactions so people can look back and see how it used to be. “I have translated this interface language of communication into 3D objects”, she says on her website, “which mimic every multi-touch gesture. My project is an interactive experience, where visitors can play, learn and be part of the exhibition.”
The sculptures consist of simple mechanics like pulleys and leavers and are made from acrylic and wood, contrasting with the precious metals and circuit boards of an iPhone. Newspaper clippings, book pages, and paper maps replace their virtual equivalents. So you flick a cog to turn the pages of a mini newspaper, pinching involves moving a magnifying glass up and down, tapping becomes a spring-mounted acrylic keyboard, swiping lets you navigate over a real map, while scrolling becomes a pulley system which lets you read through an article." -source link here.

Cause and Effect, Human Required

source unknown

Vrindavan, India, Anne Percoco

Marlaine Verhelst

Source unknown

Andrew Fishman, Artist



"Turning the crank on the side releases one penny every 4.97 seconds, for a total of $7.25 per hour. This corresponds to minimum wage for a person in New York.
This piece is brilliant on multiple levels, particularly as social commentary.  Without a doubt, most people who started operating the machine for fun would quickly grow disheartened and stop when realizing just how little they’re earning by turning this mindless crank. A person would then conceivably realize that this is what nearly two million people in the United States do every day…at much harder jobs than turning a crank. This turns the piece into a simple, yet effective argument for raising the minimum wage.
- See more at: http://disinfo.com/2012/12/the-mininum-wage-machine/#sthash.0JM2WdG0.dpuf"

Source link here.

Zoetrope


Rebecca Horn, b. 1944, Germany






Moataz Nasr, Artist



Read about it.  Link here.

Parthenon Frieze




443 and 438 BC
524 feet, 420 feet survives
British Museum in London, Athens and other museums

Janine Antoni, Artist, 1964, Bahamas



Lick and Lather
1993 - 1994
Chocolate and Soap








George Segal, Artist, Bread Line



Read about it.  Link here.

Artists Working With Plaster

Ashley Eliza Williams
Hiroyuki Hamada
Nick van Woert
Shannon Sullivan, cheesecloth, plaster, wood stain
Christopher Holdsworth

Jose- Manuel Benito

Claus Oldenburg


Our Live Active Culture


Reina Kubota

Environmental Characteristics of Clays and Clay Mineral Deposits


Clays and clay minerals have been mined since the Stone Age; today they are among the most important minerals used by manufacturing and environmental industries. The U.S. Geological Survey (USGS) supports studies of the properties of clays, the mechanisms of clay formation, and the behavior of clays during weathering. These studies can tell us how and where these minerals form and provide industry and land-planning agencies with the information necessary to decide how and where clay and clay mineral deposits (fig. 1) can be developed safely with minimal effects on the environment.
The term "clay" is applied both to materials having a particle size of less than 2 micrometers (25,400 micrometers = 1 inch) and to the family of minerals that has similar chemical compositions and common crystal structural characteristics (Velde, 1995) described in the next section. Clay minerals have a wide range of particle sizes from 10's of angstroms to millimeters. (An angstrom (angstrom) is a unit of measure at the scale of atoms.) Thus, clays may be composed of mixtures of finer grained clay minerals and clay-sized crystals of other minerals such as quartz, carbonate, and metal oxides. Clays and clay minerals are found mainly on or near the surface of the Earth.

Kaolinite deposits
Figure 1. Massive kaolinite deposits at the Hilltop pit, Lancaster County, South Carolina; the clays formed by the hydrothermal alteration and weathering of crystal tuff. Pine tree in the foreground is about 2 meters in height.

Physical and Chemical Properties of Clays

The characterististics common to all clay minerals derive from their chemical composition, layered structure, and size. Clay minerals all have a great affinity for water. Some swell easily and may double in thickness when wet. Most have the ability to soak up ions (electrically charged atoms and molecules) from a solution and release the ions later when conditions change.
Water molecules are strongly attracted to clay mineral surfaces. When a little clay is added to water, a slurry forms because the clay distributes itself evenly throughout the water. This property of clay is used by the paint industry to disperse pigment (color) evenly throughout a paint. Without clay to act as a carrier, it would be difficult to evenly mix the paint base and color pigment. A mixture of a lot of clay and a little water results in a mud that can be shaped and dried to form a relatively rigid solid. This property is exploited by potters and the ceramics industry to produce plates, cups, bowls, pipes, and so on. Environmental industries use both these properties to produce homogeneous liners for containment of waste.
The process by which some clay minerals swell when they take up water is reversible. Swelling clay expands or contracts in response to changes in environmental factors (wet and dry conditions, temperature). Hydration and dehydration can vary the thickness of a single clay particle by almost 100 percent (for example, a 10angstrom-thick clay mineral can expand to 19.5angstrom in water (Velde, 1995). Houses, offices, schools, and factories built on soils containing swelling clays may be subject to structural damage caused by seasonal swelling of the clay portion of the soil.
Another important property of clay minerals, the ability to exchange ions, relates to the charged surface of clay minerals. Ions can be attracted to the surface of a clay particle or taken up within the structure of these minerals. The property of clay minerals that causes ions in solution to be fixed on clay surfaces or within internal sites applies to all types of ions, including organic molecules like pesticides. Clays can be an important vehicle for transporting and widely dispersing contaminants from one area to another.

How and Where Clays and Clay Deposits Form

Clays and clay minerals occur under a fairly limited range of geologic conditions. The environments of formation include soil horizons, continental and marine sediments, geothermal fields, volcanic deposits, and weathering rock formations. Most clay minerals form where rocks are in contact with water, air, or steam. Examples of these situations include weathering boulders on a hillside, sediments on sea or lake bottoms, deeply buried sediments containing pore water, and rocks in contact with water heated by magma (molten rock). All of these environments may cause the formation of clay minerals from preexisting minerals. Extensive alteration of rocks to clay minerals can produce relatively pure clay deposits that are of economic interest (for example, bentonites却rimarily montmorillonite丘sed for drilling muds and clays used in ceramics).

Erosion

The transport and deposition of clays and clay minerals produced by eroding older continental and marine rocks and soils are important parts of the cycle that forms sedimentary rocks. The ancient sedimentary rock record is composed of about 70 percent mudstones (which contain about 50 percent clay-sized fragments) and shales (which are coarser than mudstones but which may contain clay-sized particles) (Blatt and others, 1980). Today, sedimentary environments that contain muds cover about 60 percent of marine continental shelves and 40 percent of deep ocean basins; continental aquatic environments such as lakes, rivers, estuaries, and deltas also contain high proportions of fine-grained sediments (Hillier, 1995, p. 162). Clearly, clays and clay minerals are critical components of both ancient and modern sedimentary environments.

Diagenesis

Diagenesis is the in-place alteration of a mineral to more stable forms, excluding surficial alteration (which is weathering); diagenesis occurs, for example, when minerals stable in one depositional environment are exposed to another by burial and compaction. Common silicate materials such as quartz, feldspars, and volcanic glasses, as well as carbonates, noncrystalline iron oxides, and primary clay minerals, are transformed during diagenesis into more stable clay minerals mainly by dissolution and recrystallization.
The formation of bentonite (beds containing smectite-group clay minerals including montmorillonite) and fuller's earth (a type of clay mineral deposit that has high capacity to absorb water) may occur primarily by diagenesis, although some deposits may also form by hydrothermal processes. Bentonite beds usually form from altered volcanic ash, but other types of rock may also serve as sources. The absorptive properties of bentonites and fuller's earth make them ideal for such diverse uses as drilling mud; foundry-sand bond; binder for pelletizing iron ore and bleaching liquids; absorbents for oil, grease, and animal waste; and carriers for pesticides and fertilizers. Bentonite is also used as a soil liner for environmental containment applications and with polyacrylamide for making paper.

Weathering

Weathering of rocks and soil is the primary way that clays and clay minerals form at the Earth's surface today. The weathering process involves physical disaggregation and chemical decomposition that change original minerals to clay minerals; weathering is uneven, and many stages of breakdown may be found in the same clay sample. Factors governing rock weathering and soil formation include the initial type of rock, the ratio of water to rock, the temperature, the presence of organisms and organic material, and the amount of time. The types of clay minerals found in weathering rocks strongly control how the weathered rock behaves under various climatic conditions (such as humid-tropical, dry-tropical, and temperate conditions).
Kaolinite is found in most weathering zones and soil profiles. Montmorillonites, which are chemically more complex than kaolinites, are common in the lower parts of weathering profiles, nearer the rock, where chemistry exerts a strong control on mineralogy. Complex mixed-layer clay minerals (such as illite-smectites) are abundant in clay assemblages that develop from mica-bearing precursor rocks, such as the granite plutons that occur in temperate regions of the Northeastern United States. For example, a large component of soils formed by weathering of granites may consist of metastable muscovite, biotite, and chlorite. These minerals will alter progressively to clay minerals.

Environmental Studies

Industrial minerals, such as clays, sand, gravel, and crushed stone, are raw materials used for building and maintaining infrastructure, agriculture, and mitigation of environmental problems. Because of the many uses for industrial minerals in our society, land management agencies have an increasing need for better geologic and mineralogic data on industrial minerals. The USGS supports studies to understand the geology of these deposits, the surficial environments, and the processes by which these deposits form.
The USGS and industry cooperators are initiating petrologic, mineralogic, and geochemical studies to better determine how economic clay deposits form. A special emphasis of these studies is to characterize the weathering portion of the life cycle of a clay deposit.
Regional data bases (such as the Southeastern United States clay deposit data base) are being developed that contain geologic and geochemical information necessary to establish environmental characteristics that affect the use of clays and clay minerals. Environmental characteristics include the nature and distribution of inorganic contaminants, such as metals and metalloids like arsenic, iron, and lead, in clay-bearing rocks. These environmental factors have the potential to affect the use of clays in natural and industrial applications.

--NORA K. FOLEY

References

Blatt, H., Middleton, G., and Murray, R., 1980, Origin of sedimentary rocks (2d ed.): Englewood Cliffs, N.J., Prentice-Hall, 766 p.
Hillier, S., 1995, Erosion, sedimentation and sedimentary origin of clays, in Velde, B., ed., Origin and mineralogy of clays: New York, Springer-Verlag, p. 162-219.
Velde, B., 1995, Composition and mineralogy of clay minerals, in Velde, B., ed., Origin and mineralogy of clays: New York, Springer-Verlag, p. 8-42.
For more information, please contact:
Nora K. Foley
U.S. Geological Survey
954 National Center
Reston, VA 20192
Telephone: (703) 648-6179
E-mail: nfoley@usgs.govData on industrial minerals, including clay and clay mineral deposits, are available from the USGS web site, URL: http://minerals.er.usgs.gov/minerals/pubs/commodity/
PDF version of this handout is available for printing (162 K).

https://pubs.usgs.gov/info/clays/

Summer 2013 Projects


20 Foot Narrative
20 sculptures.
Installed on west lawn (or another area with approval).
Each sculpture needs to have a display/platform.
Materials are your choice.

What to put on your blog:
-At least 6 professional images of the finished work.
-A video – does not include a person – focus on the work.  If you want, make a second video that includes someone walking the line/trail of sculptures.
-A statement about the work.
-Research (can be imagery and/or audio and/or text).  At least 3 forms of research.


Cause and Effect
Construct a device/structure that is operational.  The operational component must be devised for a human to perform.  In other words, in order for the sculpture to have an effect, a human must operate it.  And the operation must cause a change/shift in the sculpture. Puppetry, pulling, pushing, sweeping, pedaling, putting, pouring, weighing, dragging, turning, stirring, sitting, throwing, stretching.  Harness, pulleys, sand, water, rope, wood, rubber.   Materials are your choice.  No size limits.

What to put on your blog:
-At least 3 professional images of sculpture.
-A video of the human operating the sculpture.
-A statement about the work.
-Research (can be imagery and/or audio and/or text).  At least 3 forms of research.

Friday, April 19, 2013

Lisa Kokin, Artist







Artist's website.  Link here.

Sculpture Assignments, Summer 2013




Cause and Effect
Construct a device/structure that is operational.  The operational component must be devised for a human to perform.  In other words, in order for the sculpture to work, a human must operate it.  And the operation must cause a change/shift in the sculpture. Puppetry, pulling, pushing, sweeping, pedaling, putting, pouring, weighing, dragging, turning, stirring, sitting, throwing, stretching.  Harness, pulleys, sand, water, rope, wood, rubber.   Materials are your choice.  No size limits.

What to put on your blog:
At least 3 professional images of sculpture.
A video of the human operating the sculpture.
A statement about the work.
Research (can be imagery and/or audio and/or text).  At least 3 forms of research.


30-Foot Narrative
30 sculptures, up to 15 may be repeated
Installed on west lawn.
No size restrictions, but keep in mind how the individual scale of each piece can visually communicate content.
Each sculpture needs to have a display/platform.
Materials are your choice.

What to put on your blog:
At least 6 professional images of the finished work.
A video – does not include a person – focus on the work.  If you want, make a second video that includes someone walking the line.
A statement about the work.
Research (can be imagery and/or audio and/or text).  At least 3 forms of research.


Plaster, Phase 1 and Phase 2
Phase 1 – experiment with making solid forms, sanding and including found objects.
Make at least 10 plaster sculptures.  No size restrictions.
Materials: Plaster (provided, but feel free to purchase your own additional bucket), sander block (needed to sand plaster - can get at Home Depot, suggest two different grits), dust mask (provided for you in the sculpture studio), found objects and/or materials (you will need to gather - anything goes here). 

Phase 2 – Select at least 5 plaster pieces to be part of a larger sculpture.  Idea for larger sculpture is your choice.  However, in class we will discuss everyones plaster pieces so as to offer each of you possible ideas.  Keep in mind, largerdoes not necessarily mean scale, - it also implies concept.  No limits on scale – only that you will be adding other/more components/materials to the already completed plaster pieces.    Materials and processes are your choice, as such decisions will influence/determine your intent for the visual work.

What to put on your blog:
At least 3 professional images of Phase 1.
At least 3 professional images of Phase 2.
A statement about the work.
Research (can be imagery and/or audio and/or text).  At least 3 forms of research.