Sculpture Studio

Wednesday, May 2, 2012

Being Touched Through Touch

Abstract

Neuroscientific research provides increasing evidence of the intimate relationship between physiological and psychological dimensions of human experience. The integration of body awareness into psychotherapy through a focus on sensorimotor processes is increasingly becoming best practice in trauma therapy. So far the arts therapies have given little attention to the role of touch in this context. Touch is one of the fundamental human experiences: to know loving or unwanted touch, the traumatic rupture of boundaries and their repair. Touch is the basis for secure attachment, linked to earliest body memories, to the ability to handle the world, to sexuality and injury. The use of the hands as a tool of perception is known as haptic perception. Clay is a familiar art therapy material which features tactile expression and experiences. When hands touch clay in a therapeutic setting, exteroceptors and interoceptors become naturally stimulated, and every movement of the hands provides instant feedback to the brain. Haptic perception allows non-verbal access to psychological and sensorimotor processes thwarted by trauma. This article reviews Trauma Healing at the Clay Field® as a sensorimotor art therapy approach in trauma recovery.

Keywords: Trauma, sensorimotor art therapy, haptic perception, touch, clay, hands, top-down versus bottom-up approach in therapy

Author information

Cornelia Elbrecht

Biographical details

Cornelia Elbrecht graduated with an MA in Art Ed, trained in Gestalt Therapy, and in various arts and body therapies in Germany, she underwent a ten year Jungian Analysis, and is currently enrolled to study Somatic Experiencing. She has worked as a registered art therapist for the past 35 years in Germany and Australia. She is Director of the School for Initiatic Art Therapy in Victoria, Australia and teaches internationally. She has published two books on sensorimotor approaches to art therapy, The Transformation Journey (2006) and Trauma Healing at the Clayfield (2012). Email: cornelia_elbrecht@claerwen.com.au

Liz R. Antcliff

Liz Antcliff holds a Bachelor of Sc. (Psychology) and a MA Counselling and has studied various arts therapies at postgraduate level. She is currently studying Somatic Experiencing with SE Australia. She has more than 30 years of experience in human services in the private and community health and social services sector. Liz is the Director of Heartspace Artspace & Counselling, a private psychotherapy practice in Queensland Australia and teaches the Initiatic Art Therapy (Queensland) program. Email: lizantcliff@gmail.com

Source:

https://www.tandfonline.com/doi/abs/10.1080/17454832.2014.880932

Akio Takamori, Artist

Link to Barry Friedman Ltd. to see more work by this artist. Link here.

Balint Bolygo, Artist

"Trace is a sculptural device that alludes to scientific discoveries and pseudoscientific concepts such as phrenology, physiognomy, and craniometry. A revolving plaster cast of the artist's head is slowly deconstructed into a mathematical diagram that changes as time passes. The peculiarities of the human face that as humans, we attach so much importance to, is dematerialised into a changing drawing that embodies the differential undulations of the human anatomy. Trace questions our notion of self and how through technology we have found different visual representations for the individual. DNA profiling, retina scans and the fingerprint are all things that are conjured up by the meticulous mechanical process of the work. The topographical images are turned into a new form of three-dimensional representation that draws our attention to the space within." - source is artist's website. Link here to see more work.