Open Studio, Fall 2018

Student Blogs, Ceramic Sculpture, Fall 2018

Julia Ailes
Allie Crum
Kobe Elixson
Elizabeth Green
Natalie Harris
Lauren Mason
Caroline McClellan
Tyler Schroeder
Lisa Schweikert
Steph Simone clay
Lauren Trimarco
Sarah Weisman

Pre-Columbian Pottery

While much of Europe was in the throes of the artistic and social decline known as the Middle Ages, across the Atlantic, the ancient cultures of the Americas were experiencing a vibrant cultural period distinguished by fascinating works of art, particularly pottery.

The Pre-Columbian era generally refers to the span of time in the Americas prior to the voyages of Christopher Columbus in 1492. However, the term more accurately describes the history of Native American cultures before significant contact with or conquest by Europeans. 

Regardless of the location in either North, Central or South America, archeological evidence proves that all of these cultures were incredibly proficient in ceramics. Since many Pre-Columbian cultures lacked formal writing systems, pottery became their history books–a visual vehicle to express and pass on their knowledge of the world, encompassing religion, cosmology, philosophy and even astronomy. 

M.S. Rau Antiques’ collection of Pre-Columbian artifacts was assembled by a private collector in the 1960s and covers various cultures throughout Mexico and Central and South America from about 1800 B.C. to A.D. 1530. Many of these wares were used to venerate important figures in society, while others served more mystical purposes by depicting shamanistic rites and spiritual awakenings. This West Mexican Nayarit Warrior Figure with Staff was crafted in honor of a great warrior chieftain. Imagery including the baton, large horn-like extensions atop the head and seated posture are notable symbols of high social standing.

The peoples of Central America had a particular affinity for animal symbolism, as illustrated by this Veraguas Feline Figure from Panama. Most likely used as a ritual vessel, these animal-centric forms often referred to shamanistic transformations, giving animal qualities to individuals undergoing a spiritual transformation.

These ceramics are more than remarkable works of art, they provide unique insight into the fascinating ancient cultures that shaped our history.

Click here to view M.S. Rau Antiques’ entire collection of Pre-Columbian artifacts. 

Source link for above text and images:

http://www.artfixdaily.com/blogs/post/5404-windows-into-a-lost-world-pre-columbian-pottery

Link below has a collection of Pre-Columbian artifacts. 

https://www.rauantiques.com/catalogsearch/result/?q=pre-columbian

John Quick, Student Work, Ceramic Sculpture II

Ceramics and Drawing

TOUCH Project 2018

What Types of Soil Are in the Ocean?

The ocean floor is composed of three different types of soil, known as pelagic sediments or marine sediments. They include calcareous ooze, red clay and siliceous ooze.

The Ocean Floor

The ocean floor is made up of mountains, valleys, plains, plateaus, islands, ridges and volcanoes. The Earth's floor below the ocean is very similar the that above the ocean.

Ooze vs. Clay

Ooze is made up of debris from living organisms; any soil composed of more than 30 percent organic debris is classified as ooze, making it a biogenous sediment. Red clay is not organic; it's made of rock and is considered lithogenous sediment.

Calcareous Ooze

Calcareous ooze is the most common of the three soils and covers approximately 48 percent of the ocean floor. It is composed of the shells of foraminifera, coccolithophores and pteropods, which are tiny organisms living in the ocean.

Red Clay

Red clay covers approximately 38 percent of the ocean floor and is brown. It is made up of quartz, clay minerals and micrometeorites, which are rocks that weigh less than a gram and have fallen to Earth from outer space.

Siliceous Ooze

Siliceous ooze is the least common of the three soils, covering approximately 15 percent of the ocean floor. It is composed of plankton debris and silica shells.

Source Link:

https://sciencing.com/types-soil-ocean-5597489.html

Annie Thompson, Student Work

“Somewhat Alive”

My intention is to create an experience that appears subtle while conveying a sense of power.
The draped fabric appears quite and subtle. The shades of pink create a monochromatic atmosphere
of fleshy life. The sheets are connected to an inner motor so that every few moments both forms
pulsate at their own rhythm. Sporadic thuds can be heard as the mechanism turns.This installation
creates a delicately engaging interaction with the viewer, as its calls attention to itself if the
viewer is willing to stop and experience the limited movement.

Materials:

Cotton fabric

Rotisserie chicken motors

Wood

Wire

Installed in Molly Wiley Art Building, Flagler College, St. Augustine, Florida

4' x 7' x 3'

 View from first floor of art building.

Inspiration for Dinner Party

http://www.acgn.cat/project/la-cuina-xinesa/

Genuine Ancient China Jin Dynasty Celadon Glazed Ceramic Funerary Urn/Spirit Jar 300AD Western Jin "Hun'ping" Carved Jar Buddhas Birds 

Neuroscience Could Explain Why Pottery Is Good for Depression

August 31, 2016, Elisabet KvarnstromBridges to Recovery

The therapeutic potential of pottery for depression is increasingly being recognized by the mental health community. But how and why does it work? From the effort-driven reward circuit theory that extolls the benefits of manual labor to theories focusing on the biological impact of self-expression, researchers are looking for answers. What ultimately matters, however, is that people are getting better, which is why Bridges to Recovery integrates pottery in depression treatment.

We are living at the pinnacle of psychiatric discovery and innovation, a time in which the landscape of pharmacological therapy is broader than ever and biological psychiatry is opening up new frontiers in mental health treatment. We are harnessing the power of technology to integrate therapies in new and revolutionary ways and disseminating cutting-edge research to popular audiences in a way never before possible.

And, yet, even in this time of extraordinary progress, manypeople living with depression are finding relief in an ancient practice, something that many of us have already done in one form or another, even if only in grade school: pottery.

The Effort-Driven Reward Circuit

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For Louisa Kemps, pottery is an integral part of staying well through the cold and dark Midwestern winters that usually zap her of her energy. Running her hands over the clay, giving it form, feeling it come to life—the process gives her a sense of calmness, joy, and discovery. As one potter notes:

Using a lump of moist clay, you put it on the potter’s wheel and you shape it into your very own creation. As the wheel spins and the clay begins to form, both your mind and body are synergized with your surroundings and with the universe. It is here where you can find the therapeutic benefits of pottery.

For many of us, these benefits make sense on an instinctive level: pottery takes you out of your routine, gives you something to master, something to contemplate. It becomes a meditation of sorts. But Kemps wanted to learn more—why is pottery good for depression on a neurological level? For answers, she turned to Dr. Kelly Lambert.

Dr. Lambert is a neuroscientist fascinated by the subject of behavior-induced neuroplasticity—in other words, how what we do impacts the way our brains function—and she believes that humans are innately wired for particular kinds of behaviors. By “tracking brain activation during different activities,” she “identified a network of geographically connected brain regions that appears to strongly influence well-being when activated by physical labor.” This network forms what Lambert refers to as an effort-driven reward circuit which includes a plethora of brain regions, each involved in processes as diverse as emotion, movement, problem-solving, and higher reasoning. Kemps writes:

In our contemporary age, when it’s possible to Tweet one’s deepest thoughts while waiting two minutes for dinner to warm in the microwave, this circuitry—encompassing a vast amount of ‘brain real estate’—isn’t often called on to function in coordination and communication, as it seems evolutionarily designed to do. But when we activate our own effort-driven reward circuitry, it squirts a cocktail of feel-good neurotransmitters, including dopamine, endorphins, and serotonin.

Participating in sustained demanding and intricate physical activity engages the effort-driven reward circuit, providing meaningful relief from depression on a neurochemical level and reminding the brain that we can exercise control even in challenging environments. As we move away from both paid and private manual labor, we must consciously seek out opportunities to participate in these activities in which our brains are wired to find pleasure and equilibrium. Pottery may be a particularly valuable activity due to the involvement of dexterity; as Lambert herself notes in a 2005 study, “Considering the amount of brain area devoted to the sensitivity and movement of the hands, it is likely that behavior maximizing the use of the hands may be the most engaging.”

The Biological Impact of Self-Expression

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Lambert is not alone in her assertion that deliberate manual activity such as artistic production and crafting is good for our mental well-being. In a study published in Art Therapy earlier this year, researchers recruited 39 men and women aged 18-59 and measured their cortisol levels before and after 45-minutes of self-directed artistic activities, including modeling clay. Cortisol levels are an important indicator of stress, and people with depression often show elevated cortisol levels, which experts believe can both be caused by and contribute to distress as well as having detrimental effects on general health.

The results revealed that cortisol levels decreased in 75% of participants after engaging in artistic production. Although the exact cause of the reduction was beyond the scope of the paper, researchers offer a different theory than Lambert does to explain the phenomenon: self-expression. “The findings are certainly consistent with the idea that self-expression can reduce stress and improve health,” says James W. Pennebaker, PhD, professor of psychology at the University of Texas at Austin. According to study lead author Girija Kaimal, the reduction in cortisol levels may be explained in part by the way art helps us externalize and process internal events. “It helps us express things that we don’t often have words for but are deeply felt and experienced. Second, it helps us communicate to others this inner state, and when you communicate, you can build relationships. You are really communicating ‘This is who I am and where I am.’”

Integrating Pottery in Depression Treatment

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There is no doubt that researchers will continue to try to explain why exactly pottery helps depression. But in the end, the precise reasons may be largely irrelevant to those practitioners who find relief in the process of molding clay; what’s important is the inner tranquility it instills, regardless of how it happens.

At Bridges to Recovery, we believe in offering our clients every opportunity nourish their well-being and opening doors to healing that go beyond purely clinical care. This is why we offer a dedicated pottery classin which you are invited to engage your body and your mind in the production of decorative and utilitarian objects within a supportive, safe space. For people struggling with depression, this class can provide the springboard for newfound confidence, self-expression, self-discovery, and creativity, augmentpsychotherapeutic and pharmacological therapies, and contribute to a holistic treatment experience that gives you the room to flourish. By incorporating mindfulness techniques and group discussion, the class becomes a truly unique healing tool you can use to move toward a richer, more fulfilling, and more joyful life.

Bridges to Recovery offers comprehensive residential treatment for people struggling with depression as well as other mental health disorders, substance use disorders, and eating disorders.Contact us to learn more about our innovative program and how we can help you or your loved one start the journey toward wellness.

Image Source: Pexels user Regiane Tosatti

Text source:

https://www.bridgestorecovery.com/blog/neuroscience-could-explain-why-pottery-is-good-for-depression/

Jake Carlson, Student Work

H.E.R.E

Site Specific Performance

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A re-occurring theme in my work is the metaphorical relationship between aquarium tanks and transparent walls as a social and political commentary. As I matured in age, a sense of rebellion grew inside as I began to disagree with certain standards that American culture holds dearly: the obligated respect one needs to have for this land, the stigmatism that citizens have towards power, but above all, a need for a profit motive to survive. I disagree with the monetary value system that has been created in our society, as it leaves room for corruption and manipulation. This system of values is transparent towards everyday consumers; they cannot see this boundary without a sense of realization. This was my goal for this artwork.

The water tank acts as a metaphor for America, freedom within a contained and trapped space. The color orange acts as a symbol for incarceration. This concept is emphasized through the orange construction fencing and traffic cones, the pathway covered in pennies forces the viewer to not only make the decision to enter the space, but to disrespect this monetary system. The pathway is intentionally narrow so that only one person can enter or exit at a time.

The exit scene demonstrates a birth of a new identity after suffering within this particular space. Draining the space afterwards acts as a diminishment of value towards the water tank and contemporary culture. The attire of the orange hoodie, black Nikes, and barcoded mask are symbolic for illustrating my imprisonment within our current society, but as a more realized human being. The person inside the tank is not the same person who exits.

Link here to watch video.